My art does not fit neatly into a box to be packaged, labeled, and mass-produced; it is something to be experienced and contemplated.
I examine contemporary society through a lens of psycho-analysis by deconstructing everyday objects, actions, and experiences. This work often emerges on-site, composed of found items, mined from the surrounding area. I arrive equipped with only a color and the edge of an idea to learn from each place, situated in time, among its history and present day. The result invites viewers to enter the artwork as if stepping into a painting. This reality is separate from ordinary life and traditional art-viewing.
Domestic imagery (home) serves as a metaphor for the mind, highlighting the social psyche as it relates place to the formation of identity. Emotional tendencies such as insecurity, dependence, and compulsion are present, as comforts of ordinary life, such as the couch or chair are personified. Object placement is crucial to my process, as this action exerts a need for control much like posturing the self in public space. Color is used to heighten mental awareness by evoking an emotional response.
Feelings of nostalgia, flashes of past trauma, or a dreamlike state of déjà vu may occur. These installations are temporary; thus, placing attention on the present moment while confronting consumer culture. I implore viewer investigation and imagination to draw one's own conclusions.